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The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Tobacco industry lobbyist Nick Naylor has a seemingly impossible task: promoting cigarette smoking in a time when the health hazards of the activity have become too plain to ignore. Nick, however, revels in his job, using argument and twisted logic to place, as often as not, his clients in the positions of either altruistic do-gooders or victims. Nick’s son Joey needs to understand and respect his dad’s philosophy, and Nick works hard to respond to that need without compromising his lack of values. When a beautiful news reporter betrays Nick’s sexually-achieved trust, his world seems in danger of collapsing. But there’s always one more coffin nail in Nick’s pack.

Sassy postgrad Elle Woods (Witherspoon) is all about animal rights. In fact, she puts her nuptial plans on hold to head to Washington D.C. to get an anti-animal testing bill passed. Her building’s doorman (Newhart) quickly shows her the ways and workings of our nation’s capital.

The script begins as a young Hughes directs one of Scorsese’s favorite films, Hell’s Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn.