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The true life story of Ralph Waldo “Petey” Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and “tell it like it is.” With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo’s brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey’s “The truth just is” style — on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.

Wound tight and cocky, Jimmy Starks (Pearce) is a smooth-talking salesman certain he’s on the verge of a big break. Even when his car stalls in the middle of nowhere, a roadside soothsayer (Simmons) assures him a windfall is on its way. But although Jimmy should be happy when his boss suddenly agrees to financially back his business venture, he starts to become paranoid instead. As his girlfriend Deirdre (Perabo) and his best friend/ business partner Ed (Fichtner) watch him slowly come unwound, Jimmy wonders if a past betrayal of his friend, newly paroled Vince (Whigham), could be catching up to him. And, as the weather turns cold, Jimmy can’t help but fear the mysterious seer’s other prediction… that they’ll be no tomorrow after the first snow.

Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

Jackie Brown is the name of a flight attendant who gets caught smuggling her boss’ gun money on the airline she works for. Luckily for her, the Fed Ray Nicolet and the LA Cop Mark Dargus decide to team up in order to arrest the arms dealer she works for, whose name they don’t even know. Here’s when she has to choose one way: tell Nicolet and Dargus about Ordell Robbie (the arms dealer) and get her freedom -except that if Ordell suspects you’re talking about him, you’re dead- or keep her mouth shut and do some time. That’s when she meets Max Cherry -her bail bondsman-, a late fifties, recently separated, burnt-out man, who falls in love with her. Then Jackie comes up with a plan to play the Feds off against Ordell and the guys he works with -Louis Gara and Melanie Ralston, among others- and walk off with their money. But she needs Max’s help. No one is going to stand in the way of his million dollar payoff…

Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.

When the ten-year-grey son, David, (Blake Woodruff) of a loaded New England socialite is abducted, his kidnapper Max Harper (Josh Holloway) and his diseased associates receive it bequeath be a rote kidnapping in become for a spacious ransom. Mysterious to the kidnappers, the modest and aloof David indeed has a mysterious agenda of his own, and a hidden way of tapping into the minds of others. Directly, Max bequeath wish that he had never kidnapped David, much less peaceful heard of him.

Truman Capote wrote the ‘non-fiction novel’ from which the film is drawn, using the novelist’s craft to render reality. The reality was that at two a.m. on November 15, 1959 in the rural town of Holcomb, Kansas, the four members of the Clutter family were roused from their sleep, bound and gagged, and then brutally murdered by two unknown assailants. After the latters’ capture, sentencing and imprisonment prior to execution, Capote researched the case thoroughly, spent weeks talking with the prisoners, Perry Smith and Richard Hickock, jurors, police, friends and neighbors, trying to unearth why such a senseless act was committed, and what society’s response might have been.

A group of security analysts are offered a job by the CIA and when they are reluctant, pressure is brought to bear by the threat to disclose the identity of their leader, a 60s radical with outstanding warrants. A chip exists that will allow any computer to be cracked, and organized crime will soon control it, though sudden changes in their police records suggest that it is already operational.

International con artist/thief Laure Ash helps pull off a diamond robbery in Cannes during the annual film festival. She double-crosses her partners-in-crime and makes off with the diamonds to Paris where she accidently assumes the identy of a distraught woman who commits suicide and then leaves the country. Seven years later, Laure (now called Lily Watts) re-surfaces as the wife of the new American ambassador to France where a certain Nicolas Barto, a Spanish photographer, takes her picture which sets the stage for a motion of events as the evil Laure resorts to low, underhanded means to protect her former identity by emotionally and financially destroying Nicolas while evading her former partners-in-crime still looking for her to reclaim the stolen diamonds.

John LeCarre’s behold thriller is brought to the great screen. A British behold (Pierce Brosnan) is banished to Panama after having an concern with an minister’s paramour. Once there he makes behaviour with a provincial tailor (Geoffrey Aggression) with a nefarious bygone and connections to all of the summit political and offender figures in Panama. The dressmaker also has a mate (Jamie Lee Curtis), who works regarding the Panamanian president and a enormous debt. The lesson is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous legendary tale about antiquated mercenaries who are poised to overthrow the modern government and are acceptable to subject with Britain and the US to do so.